Go NASA. Go SpaceX. Go CRS-25.

With each mission to space there is one more step forward on humanity's road to Mars.

NASA Kennedy's Vehicle Assembly Building as seen from the 39A Press Site

Credit: John Pisani for Cosmic Perspective

 

Traveling to an orbital laboratory is no easy task. It takes thousands of hours behind the scenes to enable a successful liftoff of a rocket. It takes thousands of hours to develop a spacecraft that sits on top of it. And it takes thousands of hours to curate the experiments, cargo, and meals to be delivered to the International Space Station. But it takes just a few moments to witness a rocket launch, feel the power of the thrust enabling its escape from Earth’s gravity, and then a coincidence in time and orbital mechanics to allow the unfurling of what has been dubbed a “space jellyfish.”

SpaceX launched the 25th Commercial Resupply Services (CRS) mission on July 14, 2022 from Kennedy Space Center’s Launch Complex 39A at 8:44:20pm EDT. Just 23 minutes after sunset on Florida’s Space Coast, Falcon 9 and Dragon lifted off into a blue hour twilight sky. Moments after main engine cut-off and stage separation, the second stage ignited just above the Earth’s atmosphere and that is when the space jellyfish began to grow. 

What is this space jellyfish? It’s a term coined by space enthusiasts that applies when a rocket launches just before sunrise or sunset (usually during twilight hours) and as the rocket travels higher and higher, it actually ends up in sunlight again. Whereas back at the launch site, the sun has already set. This illumination high up in the atmosphere or beyond it and in space, allows us to see the exhaust gasses expanding as huge white blobs in the sky, usually looking like a jellyfish.

Earlier in the day media gathered at NASA Kennedy’s 39A Press Site to board buses and travel to various spots around LC-39A to place remote cameras. Despite the phrase used to describe the setup, most gear placed around the pad are cameras activated by sound to take photographs, we do not control them remotely. Other setups, like the one I use to record video are a little more complex. 

A view of Falcon 9 and Cargo Dragon Spacecraft at SpaceX's 39A launch site. The crew access arm is extended while preparations for launch are still ongoing.

Credit: John Pisani for Cosmic Perspective

A wide view of 39A from the east looking west to with clouds backdropping construction of SpaceX's Starship/ Superheavy pad adjacent from where Falcon 9 & Dragon currently launch.

Work at LC-39A is well underway to support future launches of SpaceX’s Starship/ Superheavy vehicle.

Credit: John Pisani for Cosmic Perspective

A view of Falcon 9 and Cargo Dragon Spacecraft at SpaceX's 39A launch site. The crew access arm is extended while preparations for launch are still ongoing.

Cargo Dragon and Falcon 9 ready to launch CRS-25 from LC-39A.

Credit: John Pisani for Cosmic Perspective

 

I was there to place a DSLR camera, a video camera and a field audio recorder and microphone setup, custom made by Cosmic Perspective’s Andrew Keating. This specially curated audio gear allows us to capture launch audio from close proximity with incredible fidelity. Capturing photographs from the pad has its own challenges, but is fairly straightforward assuming you have properly set your gear up. Which does not always go as planned– I actually underexposed my images during this launch rendering them unusable. 

About 14 miles away I was positioned along the shores of the Indian River. Waiting, watching, and capturing the launch using photography and video. I began recording a couple minutes before the scheduled T-0, then readied myself next to my DSLR camera which was down on the water’s edge and nestled between some mangroves that helped frame the shot.
My video camera was about 75 feet away in order to get a clear line of sight to the pad. Once I saw ignition, I started my exposure and then ran back over to the video camera. From there, I was able to track Falcon 9’s ascent towards Main Engine Cut-off (MECO). Due to the time of this launch, it was still twilight out. Doing a long exposure image can be difficult when it’s so bright out so I needed to do two separate exposures.
A view towards Launch Complex 39A from the Press Site lawn.

Credit: John Pisani for Cosmic Perspective

This meant running back to my DSLR, stopping the first and then beginning a second exposure of the launch. And then running back to the video camera to continue adjusting the framing of the video shot. All-in-all, it was a gorgeous launch and I ended up with some incredible footage of it, as well as a wonderful photograph to etch that moment in time forever.
When I returned to the press site to board the bus once again and retrieve my gear, I was excited for what waited for me, but little did I know then about what was not waiting. I actually made a programming mistake with the trigger used to initiate video camera powerup and recording start. Therefore, capturing no video of the launch.
That failure, along with no photographs from the pad, got me pretty bummed. Sometimes things don’t work out and that can be frustrating. So much work goes into prepping gear, placing it and then retrieving it, but at the end of the day being bummed about what you did not capture should never minimize what you were able to, and more importantly, it ought not take away from the experience you had.
Visiting an active launch site with a rocket poised on the pad and a spacecraft sitting on top of it is not something everyone can just sign up and go do. So with each experience I have is a story for all of you. And within each story is a mission to space. And with each mission to space there is one more step forward on humanity’s road to Mars.
A composite image of Falcon 9 launching with CRS-25. As seen from along the shoreline of the Indian River 14 miles from LC-39A

Credit: John Pisani for Cosmic Perspective

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